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The photographer uses a custom”cinematic” approach, as if documenting the lives of their heroines and creating each frame of the story. His models don’t look dramatic, they have natural poses, facial expressions, there is no falsehood, static character. Photographer loves to shoot models at inopportune moments: when they’re about to shoot or just goofing around, feeling free. Photos by Denis Saw ambiguous, it is impossible to unravel their meaning the first time, they make us think of what it was before this picture and what comes after, giving rise to new questions.
Denis Peel at the opening of the personal exhibition “freeze-frame. Fashion photography”
“What’s the secret of a good frames? We model must feel and understand each other, that is, in the process there is immersion in the story I want to tell, she listens to my idea, watching my thoughts and, of course, can change them, it even gives a certain charm to the pictures. Here are my perfect shooting. Such relations for a photographer is extremely important.”
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“I never create a clear, detailed scenario, don’t prescribe it, do not give out specific role models, I just got the idea in my head and already the campaign to decide how to implement it, what to change, what to add, it’s a long process of creating history. That is why my photos do not get frozen and static, they are full of life and emotion.”
“In photography I am only interested in cinematic moments, I don’t like the standard, albeit beautiful, posture, do not like static shots, I’m trying to catch something real, alive, the story, behind which lies a question, a riddle which cannot be solved on the first attempt, it is the idea on which you need to break your head.”
“I think that every Creator should fall in love with your model, to find in it something extraordinary and unique, to admire her character, appearance, allow yourself to be enchanted by her. I always do”.
Denis Saws specifically for Hit.Media
“My favorite series of works: a girl in a long evening dress with flounced walks along the shady alleys of the garden, and behind it rushes peacock. He follows on her heels like fell in love with her stately figure, and saw something beautiful. It struck me – this proud bird conceded defeat in the “beauty contest” and admired someone else’s superiority.”
“Who of the Directors inspires me? Of course, it’s Kubrick. I am very flattered when people compare me with him, although I will never compare my work with his films, it is blasphemy. I like his imagination, unpredictability, original plot development, sets, and actors who are so naturally played by mad men, I am struck by a deep psychoanalysis of his paintings”.
“Determines whether a Vogue, that I will remove? No, you saved me the freedom of choice to the idea and concept of operation. The art Director invited me to shoot have specified the clothing, we choose models defined by the location, come to a certain place, and there I create my own script, then removed the story and hand over her journal.”
“Freeze-frame. Fashion photography”
The Muse
The Central place in the exposition is the photo the bold and unrestrained models, favorite Denis Saw β GE Karanja. This girl is still very young managed to turn the head of many designers and participated in fashion shows a great designer, but left this world too early, the drugs killed her.
“My favorite model was Gia. β admits Denis, I have never met a more straightforward and open person, she was incredibly talented and strong. I’m sorry that Gia had to leave so early, she will forever remain in my heart.”
Pretty baby
The young actress Brooke shields as if playing in an adult woman: dressed in a silk gown and made the front hair, but her poses still reads childlike and easy clumsiness.
The contrast of the two worlds
In a series of photos from Morocco, Denis Drank “settled” European woman, accustomed to luxury and a carefree life in the poor neighborhoods where she meets street vendors, artisans and Housewives, playing with their children. The main idea of shooting on the poor streets of Morocco that the model and the audience sees “a stark contrast of two worlds.”
Simplicity and serenity
From Morocco we moved to California, where we meet Christy Turlington, supermodel of the 90s. She luxuriates in the sun, sitting on the veranda of a fishermen’s cabin. Posture and gentle face expressed utter serenity. Christy Turlington personifies the sexy simplicity, in which there is nothing coarse, nothing sleazy, it is truly amazing.
Beautiful Swan
Photography with American actress and model Andie MacDowell is the pride of Dennis Saw. He told us that Andy, when he came to it, was a terribly shy and insecure. The photographer was outraged and decided to turn the ugly duckling into a beautiful Swan right on the record”: put on some music, began to tell funny stories, and soon she felt free. Later, McDowell has admitted that this meeting radically changed her view of themselves.
Mind. The beginning of the path
The uma Thurman was only sixteen when she came to the first shot to Denis Saw. Almost teenager, terrified and downtrodden: peers Minds scoffed at it, considering the custom appearance of this deformity. But peel was different, Uma Thurman was fully revealed.
Photographer
Denis Drank is one of the most prominent fashion photographers of the 20th century. In the 80s it was printed in such glossy magazines as “Vogue”, “GQ”, “Vanity Fair”, “ELLE” and “Marie Claire”. Most of these shots are the real icons of fashion photography. The heroines of his pictures were models who became legends of the 1980s: Christy Turlington, Rachel Williams, Lara Nashinski, Eva Wallen, Nancy Donahue, Kelly Lebrock, Joan Severance, Joanna Pakula. The exhibition presents the photo shoot with Andie McDowell, Uma Thurman, Gia Karanja, Brooke shields, Christy Turlington and others.
Where to look?
February 8, Center of photography behalf of the Lumiere brothers took place opening of the personal exhibition of Denis Saw “freeze-frame. Fashion photography”. Presents the work of photographer, which was published in “Vogue”,”Elle”,”New York Times” and “Marie Claire”.
By author Maria Rakitina
ΠΡΠ΅Π½Ρ ΠΊΡΠ°ΡΠΈΠ²ΡΠ΅ Ρ Π½Π΅Π³ΠΎ ΡΠΎΡΠΎΠ³ΡΠ°ΡΠΈΠΈ. ΠΠ°Π²ΠΎΡΠ°ΠΆΠΈΠ²Π°ΡΡ. ΠΠ΄Π½ΠΎΠ²ΡΠ΅ΠΌΠ΅Π½Π½ΠΎ ΠΈ Π½Π΅Π±ΡΠ΅ΠΆΠ½ΠΎ, ΠΈ ΠΎΡΠ΅Π½Ρ ΡΡΠΎΠ½ΡΠ΅Π½Π½ΠΎ..