How does Netflix make money and why is it at a loss?

The financial strategy of the global leader in the streaming-on-demand entertainment business

Reading time 5 minutes

During the three-month period, the streaming giant laid off around 450 employees due to a loss of a raft of subscribers. According to the statistics provided by Macrotrends, from 2014 to 2019, the loss of Netflix has only increased, although the situation was rectified in 2020 and the coronavirus pandemic, which brought in a profit of almost two billion USD, 2021 again ended with negative indicators for the platform. Many experts attribute this situation in the market to the economic model in which the platform operates.

THE BIRTH OF STREAMING AND THE DEATH OF CABLE

In 1999, Netflix started as a DVD rental service, offering customers an unlimited monthly cassette subscription, as well as a personalized movie recommendation system. To create a large movie library, the company purchased the rights and licenses to a wide variety of content, part of an online cinema portfolio that still includes these acquisitions.

A decade later, Netflix pioneered the Internet streaming market, while other media giants offer cable TV subscriptions for $100, Netflix only requires its subscribers from 8 up to 15 dollars. In addition to the pricing policy, viewers are bribed by other factors: multiple people can use the same account from different devices, favorite shows can be viewed at any time, and the library constantly being replenished with hit shows that Netflix buys the rights to and content of its own production.

All this caused consumers to abandon cable subscriptions in favor of streaming, and movie and TV series creators not to release their products on TV, simply because Netflix and its similar companies offered more money than cable channels that were losing money. According to Bloomberg’s statistics in 2018, 6 people give up cable TV every minute, of which in return, many people subscribe to online services.

THE FLYWHEEL MODEL
Flywheel model for Netflix
Flywheel model for Netflix

Despite the removal of these competitors, Netflix is still operating at a loss. This is largely due to their economic policy, known as the “flywheel method”. It works like this: the service takes money from a user’s subscription and spends it on content creation, content distribution and creating a pleasant user experience, which forces the user to renew the subscription theirs and everything went back to the way it was. The problem is that Netflix spends more than $500 per user while it only brings the company about $10. This difference is covered by the new viewer’s subscription, i.e. your payment for one subscription offsets the cost spent by the user who purchased it before you and the amount the next subscriber will reimburse you.

The problems of this plan will become apparent once Netflix hits the subscription threshold – there will simply be no potential buyers left in the US and the world able to cover these losses with their own money. Analysts estimate that the maximum number of Netflix subscribers in the US is 60-90 million and around 200 million in the rest of the world, while in the first quarter of 2022 there were around 80 million people in North America and about 150 million people in the rest of the world.

Simultaneously, due to the peculiarities of the market, a subscriber outside the United States brings the company much less money than an American: for example, the cost of a subscription in India at the start was only $3 – three times less than in the company’s homeland.

By way of explanation, in order for the flywheel to continue working, Netflix is forced to look for new subscribers outside the United States, in the face of the fact that local markets cannot offer a profit comparable to the United States, as well as to raise prices in richer and more developed countries, which already leads to an outflow of subscribers.

COMPETITORS AND WOLVES OF WALL STREET

For Netflix, the situation is compounded by increased competition: almost every major corporation has already launched or is preparing to launch its streaming service. Coincidently, knowing the need for their competitor to raise prices, other streaming services deliberately underestimate the cost of a subscription: Disney+ asked for only $ 7 at the beginning, while providing exclusive and discussed content like the new parts of Star Wars and the Mandalorian series, as well as absorbing another online movie theater Hulu. In other words, purchasing Disney+ for a price half the price of a subscription to Netflix, the user received two streaming services at once.

Netflix official account tweet saying "Love is password sharing"
Netflix official account tweet saying “Love is password sharing”

Simultaneously, Netflix itself is also forced to take not very pleasant measures for users, along with the mentioned price increase, the company also wants to ban users from sharing passwords with loved ones, and about 1/4 numbers all subscribers do this, although the company previously considered this function as one of the important being.

This policy affects the number of people who unsubscribe. Users are also canceling subscriptions due to the lifting of quarantine restrictions in many countries: people work, study, travel, and less sit at home in front of computers and TVs. As a result, in the second quarter of 2022, one million people canceled their Netflix subscription, and a similar number of unsubscribes is expected before the end of the year.

Netflix's largest shareholder Bill Ackman
Netflix’s largest shareholder Bill Ackman

This situation in the market also affects the investment attractiveness of the company: in the past year, the value of shares has decreased by more than 60%, in such a crash, one of the company’s largest shareholders lost more than a billion dollars, and then sold his entire three million shares.

Despite the unfavorable economic situation and loss, Netflix is unlikely to stop, in a letter to shareholders the company assured that canceling family subscriptions will only lead to new users. Streaming and the loss of subscribers are also tied to macroeconomic factors: the consequences of the pandemic and the Russian invasion of Ukrainian territory. In addition, the company will not reduce its content costs: in 2021, online cinemas have spent 17 billion dollars on it.

Valentino’s collection is not on the catwalk but in the cinema

The fashion Brand collaborated with Luca Guadagnino, a film director

Reading time 3 minutes

This month a short drama “The Staggering Girl” directed by Luca Guadagnino  (also “Call Me By Your Name”, “Suspria”) will be released. It was inspired by Valentino’s couture collections 2018-2019. Julianne Moore is a leading actor, but Valentino’s ensembles come to the forefront of Luca’s favorite cameraman, Sayombhu Mukdeeprom. The movie can be easily taken into screenshots and printed, for example, in Vogue.

After attending Valentino’s Couture Spring 2018 fashion show, Guadagnino got the idea of filming something equally amazing with his fellow countryman, Pierpaolo Piccioli. Piccioli, in his own words, dreamed of becoming a filmmaker when he was young, so, the idea of turning the “stream of consciousness” (as he describes the couture collection of spring 2018) into a movie, found the most lively response from the designer.

Guadagnino’s passionate romance with fashion has been known for a long time. For example, director’s favorite actress Tilda Swinton wore Raf Simons twice: for the movie “Io sono l’amore”, and for “A Bigger Splash”. Guadagnino’s hobby resulted in the creation of the Frenesy Film company, which specializes in collaborations with fashion brands. Its portfolio includes short films for Giorgio Armani, Sergio Rossi, Cartier and Salvatore Ferragamo. The latest documentary named “Walking Stories” came out last fall. It was based on designer’s autobiography.

At the same time, “The Staggering girl”, which is formally a short film (37 minutes), Guadagnino designates it as an artistic picture with a plot, and not just an elegant fashion film. The story unfolds around the New York city. The main actress, Francesca Moretti (Julianne Moore), is a writer, daughter of German-Italian artist Sofia Moretti. Francesca goes to Rome to persuade an aging and going blind mother to move in with her, but, once visiting the long-abandoned home, she is immersed in memories. Guadagnino and Piccioli encoded the state of mind of their heroine using the color and style of clothing that she wears.

 Top 3 most eloquent outfits from the movie

BLACK FULL SKIRT DRESS WITH A SLIT UP THE SIDES, COUTURE COLLECTION SPRING 2018

 Francesca, despite her Italian origin, is a true New Yorker: she lives in a Spartan setting and dresses appropriately. Her clothes are exclusively dark, whether it is an oversize black palazzo pants with a turtleneck and an oversize coat or a chic evening satin dress with shoulder-length gloves. Wearing this drees, she appears at her friend’s house party, where she sees a picture on the wall, reminding her of the mother.

LUSH RED OFF-THE-SHOULDER DRESS , COUTURE COLLECTION FALL 2018

Scarlet is the color which Francesca associates with her mother. Young Sophia Moretti is played by Mia Goth, another Guadagnino’s favorite actress. They worked together on “Suspiria”. When Francesca is immersed in childhood memories, she sees her mother as a lady of society. She likes to party or spending time in front of the easel. Her mother wears velvet and sequins or a lush scarlet off-the-shoulder dress – Valentino’s classic. It appears on the catwalk in different variations from year to year.

AZURE CAPE WITH SATIN APPLICATIONS, FALL 2018 COUTURE COLLECTION

A luxurious cape embroidered with satin applications and a gold edging is the brightest item, both in the movie wardrobe and in Valentino’s Couture collection fall 2018. According to Piccioli, Greek myths served as inspiration for the collection, especially, the one about Leda and the swan.

Heroes of popular manga are coming to life

My Hero Academia is going to be a new Hollywood blockbuster

Reading time 3 minutes

Legendary Entertainment announced the production of a live-action film adaptation of the popular manga My Hero Academia. For the first time, this information appeared on informational websites Nerdist and The Hollywood Reporter.

From the side of Legendary Entertainment, the film will be produced by Alex Garcia (Kong: Skull Island, Godzilla (2014), Krampus) and Jay Ashenfelter (Pacific Rim Uprising, Winners TV-series), and from Shueisha, manga’s owner & publisher, side – by Ryosuke Yoritomi. The Toho company will be managing the project’s distribution in Japan. The information about directors, cast, and release dates is not revealed yet.

Фрейм из манги "Моя геройская академия"
A frame from My Hero Academia

Considering the popularity of the original manga and its anime adaptation, this production of an action film based on the same story seems to be a sensible move. Over a couple of years, Hollywood had tried to remake the most popular Japanese mangas and anime-adaptations into real blockbusters, however, these attempts crucially failed. For instance, the most recent film adaptation of Ghost in the Shell with Scarlett Johansson turned out to be a complete disaster. This film got a lot of negative reviews and ended up costing the producers around $60 million.

Legendary Entertainment takes a huge risk by deciding to produce a feature film adaptation of My Hero Academia. Although, taking into account the original theme and overall success of superhero films, this risk can be justified.

 

My Hero Academia is about an alternative world where 80% of population has developed powers, known as quirks, and superheroes are executive fighters against crime. Unfortunately, Izuku Midoriya, the main character, was born without any quirk, but he has a big dream of becoming a professional superhero.

Kohei Horikoshi created the original manga My Hero Academia in 2014. It was published by Sueisha in Weekly Shonen Jump magazine. Now the series has 17 million copies worldwide, and it became the fourth popular manga in 2017. The anime-adaptation appeared on big screens for the first time in 2016, the third season of which was finished in September 2018. The full-length movie My Hero Academia: Two Heroes premiered earlier in August 2018.