How does Netflix make money and why is it at a loss?

The financial strategy of the global leader in the streaming-on-demand entertainment business

Reading time 8 minutes

During the three-month period, the streaming giant laid off around 450 employees due to a loss of a raft of subscribers. According to the statistics provided by Macrotrends, from 2014 to 2019, the loss of Netflix has only increased, although the situation was rectified in 2020 and the coronavirus pandemic, which brought in a profit of almost two billion USD, 2021 again ended with negative indicators for the platform. Many experts attribute this situation in the market to the economic model in which the platform operates.

THE BIRTH OF STREAMING AND THE DEATH OF CABLE

In 1999, Netflix started as a DVD rental service, offering customers an unlimited monthly cassette subscription, as well as a personalized movie recommendation system. To create a large movie library, the company purchased the rights and licenses to a wide variety of content, part of an online cinema portfolio that still includes these acquisitions.

A decade later, Netflix pioneered the Internet streaming market, while other media giants offer cable TV subscriptions for $100, Netflix only requires its subscribers from 8 up to 15 dollars. In addition to the pricing policy, viewers are bribed by other factors: multiple people can use the same account from different devices, favorite shows can be viewed at any time, and the library constantly being replenished with hit shows that Netflix buys the rights to and content of its own production.

All this caused consumers to abandon cable subscriptions in favor of streaming, and movie and TV series creators not to release their products on TV, simply because Netflix and its similar companies offered more money than cable channels that were losing money. According to Bloomberg’s statistics in 2018, 6 people give up cable TV every minute, of which in return, many people subscribe to online services.

THE FLYWHEEL MODEL
Flywheel model for Netflix
Flywheel model for Netflix

Despite the removal of these competitors, Netflix is still operating at a loss. This is largely due to their economic policy, known as the “flywheel method”. It works like this: the service takes money from a user’s subscription and spends it on content creation, content distribution and creating a pleasant user experience, which forces the user to renew the subscription theirs and everything went back to the way it was. The problem is that Netflix spends more than $500 per user while it only brings the company about $10. This difference is covered by the new viewer’s subscription, i.e. your payment for one subscription offsets the cost spent by the user who purchased it before you and the amount the next subscriber will reimburse you.

The problems of this plan will become apparent once Netflix hits the subscription threshold – there will simply be no potential buyers left in the US and the world able to cover these losses with their own money. Analysts estimate that the maximum number of Netflix subscribers in the US is 60-90 million and around 200 million in the rest of the world, while in the first quarter of 2022 there were around 80 million people in North America and about 150 million people in the rest of the world.

Simultaneously, due to the peculiarities of the market, a subscriber outside the United States brings the company much less money than an American: for example, the cost of a subscription in India at the start was only $3 – three times less than in the company’s homeland.

By way of explanation, in order for the flywheel to continue working, Netflix is forced to look for new subscribers outside the United States, in the face of the fact that local markets cannot offer a profit comparable to the United States, as well as to raise prices in richer and more developed countries, which already leads to an outflow of subscribers.

COMPETITORS AND WOLVES OF WALL STREET

For Netflix, the situation is compounded by increased competition: almost every major corporation has already launched or is preparing to launch its streaming service. Coincidently, knowing the need for their competitor to raise prices, other streaming services deliberately underestimate the cost of a subscription: Disney+ asked for only $ 7 at the beginning, while providing exclusive and discussed content like the new parts of Star Wars and the Mandalorian series, as well as absorbing another online movie theater Hulu. In other words, purchasing Disney+ for a price half the price of a subscription to Netflix, the user received two streaming services at once.

Netflix official account tweet saying "Love is password sharing"
Netflix official account tweet saying “Love is password sharing”

Simultaneously, Netflix itself is also forced to take not very pleasant measures for users, along with the mentioned price increase, the company also wants to ban users from sharing passwords with loved ones, and about 1/4 numbers all subscribers do this, although the company previously considered this function as one of the important being.

This policy affects the number of people who unsubscribe. Users are also canceling subscriptions due to the lifting of quarantine restrictions in many countries: people work, study, travel, and less sit at home in front of computers and TVs. As a result, in the second quarter of 2022, one million people canceled their Netflix subscription, and a similar number of unsubscribes is expected before the end of the year.

Netflix's largest shareholder Bill Ackman
Netflix’s largest shareholder Bill Ackman

This situation in the market also affects the investment attractiveness of the company: in the past year, the value of shares has decreased by more than 60%, in such a crash, one of the company’s largest shareholders lost more than a billion dollars, and then sold his entire three million shares.

Despite the unfavorable economic situation and loss, Netflix is unlikely to stop, in a letter to shareholders the company assured that canceling family subscriptions will only lead to new users. Streaming and the loss of subscribers are also tied to macroeconomic factors: the consequences of the pandemic and the Russian invasion of Ukrainian territory. In addition, the company will not reduce its content costs: in 2021, online cinemas have spent 17 billion dollars on it.

Great artists – truth or myth?

Dispelling myths about 5 great painters

Reading time 6 minutes

Art of the turn of XIX-XX centuries – what is it? Great? Breakthrough? Unexpected? Undoubtedly. But the word «different» better describes the art of this period.

The second half of the 19th and 20th centuries gave us many great artists and genres. And individual masters have become tightly associated with their directions in art. Does no one doubts that Kazimir Malevich – Suprematist, and Auguste Renoir – the pioneer of Impressionism?

But there were artists who did not identify themselves with those styles at all, as is commonly believed. Today we will tell you about five of the most famous of them.

Salvador Dali

Salvador Dalí
Salvador Dalí

What is the question? Obviously, he is surreal… however, stop. In fact, the most famous surrealist painter in 1939 was excluded from the group of surrealists, and for the next 53 years of his work he was not the official representative of this direction. From their conflict, by the way, was born the phrase of Dali «I am not a surrealist, I am surrealism!»

Dali discovered his own unique technique – the paranoid-critical method, which differs from the method of the surrealists. And despite the fact that Dali is now considered the greatest representative of Surrealism, for most of his career he formally belonged to a different style.

Edouard Manet

Edouard Manet, «А Bar at the Folies Bergere», 1882
Edouard Manet, «А Bar at the Folies Bergere», 1882

In many sources, Édouard Manet is ranked alongside Claude Monet and the Impressionist company. In fact, Edouard was their predecessor. Of course, Manet communicated with the Impressionists and was interested in their work, but he himself denied any involvement with this style. On the contrary, throughout his career Manet strove for an official professional appraisal – that is, the recognition of the Salon, which the Impressionists opposed. And Manet never even once exhibited with them.

Edvard Munch

Edward Munch «The Scream», 1893
Edward Munch «The Scream», 1893

Next on our list is the author of the famous «The Scream» and other masterpieces. The direction of the artist, it would seem obvious – expressionism. But no! Expressionism evolved much later and independently of Munch. Meanwhile, the Norwegian master the young expressionists considered the ancestor of the direction and were inspired by his work.

But Munch himself created under the influence of Symbolism – a style of which he was a contemporary.

Frida Kahlo

Frida Kahlo (years of life: 1907-1954)
Frida Kahlo (years of life: 1907-1954)

The Mexican artist was considered by her contemporaries to be a Surrealist (particularly André Breton). But Kahlo herself categorically denied it (although she actively exhibited with the surrealists). She said that she «painted only her own reality and was not into fantasies». Plus Kahlo had no special education, and in combination with her formal features her work is referred to as the direction of naive art.

Bonus

Leonardo da Vinci's drawings: Portrait of a Man in Red Chalk (left) and Vitruvian Man (right)
Leonardo da Vinci’s drawings: Portrait of a Man in Red Chalk (left) and Vitruvian Man (right)

Leonardo da Vinci – who was he?

The author of «Mona Lisa», «Vitruvian Man», «The Last Supper» and many other masterpieces which everyone knows for sure. However, the master never positioned himself as an artist. In the Renaissance, science and art were two sides of the same coin, and an outstanding man had to prove himself in different fields. Leonardo da Vinci referred to himself not as an artist but as an engineer (for example, in his resume, which he sent to the Duke of Milan in 1482). Another indication that painting was not his main occupation is how few paintings he painted.

Of course, the boundaries of styles in art are very conditional – everything is adaptive and subjective, each work of art is unique and combines many elements. But we have tried to dispel 5 common myths about well-known artists, based on generally accepted norms.

How to be employed in 2030

What skills employers will need in 10 years

Reading time 5 minutes

It is not enough for today’s employers that a programmer knows how to create applications and a translator has a good grasp of texts. Potential employees must have not only professional but also «soft» skills.

Soft skills are supra-professional competences, which help to work more effectively in any sphere. For example, they include the ability to communicate with people and quick learnability. The value of these skills has increased in today’s world, where humanity’s opportunities are increasingly global. You need to adapt to technological changes and communicate with people of different nationalities.

According to Kontakt InterSearch Russia consulting company’s research for Forbes Woman employers already expect soft skills from potential employees. Creators of the  «Atlas of professions» project predict even more significant changes on the labor market.

What is worth getting better at today to be a sought-after specialist in 10 years?

1. Working with people

Communication with people is a skill worth learning

This skill has 3 components::

Multiculturalism and multilingualism. More and more companies are operating in the international market, so employees need to know foreign languages. Knowledge in the specifics of intercultural communication will be a plus.

Representatives of different cultures working together

Customer centricity. It is possible to win the battle with the competitors only if the product is created exactly for the client’s needs. That is why employers appreciate the ability to see the demand and to adjust to it.

Emotional intelligence. Empathy, the ability to feel another person is valued in today’s world. People with these qualities find it easier to find common ground with others, which helps not only in everyday life but also in work.

2. Flexibility

Quick learning curve helps you adapt to the demands of the modern world

Quick learning curve. In today’s world, new technologies often appear and you need to adapt to them in a minimum of time. The needs of the labor market are also changing, so you need to learn new professions quickly.

Working under uncertainty. The year 2020 showed that you can’t always be sure of tomorrow. It is necessary to be able to work here and now, to try to foresee the further development of events and not to be afraid of the unknown.

3. Project Management

Project management is no longer the task of the manager

The strict hierarchical structure of companies is replaced by project groups. Representatives of different professions have to show leadership and take responsibility for leading part of the work.

4. Green thinking

Businesses pollute the environment

Manufacturers of goods are thinking about the impact of their business on the environment. Therefore, modern professionals in any field must understand at a basic level how to reduce harmful emissions and the use of natural resources. In Russia this culture is in its infancy, but in Japan the environmental friendliness of production is already controlled at the legislative level.

To develop soft skills, you can join a discussion club, read books on the topic, watch professionals on TED, or take a course.

«Soft» skills are useful not only in work. In life, we communicate with people, learn, and set goals, each of which can be viewed as a project. Above-the-professional skills will help in these areas of life as well.

The excess of Petrov

Why are actors playing in popular Russian films the same? Klim Shipenko explains

Reading time 6 minutes

On February 6, the famous Russian singer and composer Yuri Loza made an ironic post on his Facebook account, in which he noted Alexander Petrov’s over-popularity in contemporary Russian cinema. The musician considered it unfair that thousands of talented actors graduate from Russian film schools every year, each of them is waiting for new chance, but the producers prefer to give all the potential box office roles to Petrov.

Юрий Лоза поднял актуальную для многих российских кинозрителей тему
Yuri Loza asked a question that is relevant for many Russian moviegoers …

Although Yuri’s post was written in a rather humorous style, it provoked a discussion around the current situation with Russian actors. One of the participants of the discussion was Klim Shipenko, a successful film director. In 2019, two of his films were released at once: a criminal-dramatic psychological thriller “Text” (with Petrov playing the main role) and a comedy “The Serf”. The first film, according to the Kinopoisk online portal, was warmly received by both viewers (rating 7.0) and critics (85% of reviews were positive). This was also emphasized by the box office of 850 million rubles. With a budget of 75 it achieved excellent results at the main Golden Eagle film contest in Russia. “Text” received awards for the best film, best male roles of the first and second plans (Petrov and Ivan Yankovsky, respectively), as well as for the best editing (Tim Pavelko). Shipenko himself was awarded a nomination for best directing, and composer Nikolai Rostov was awarded for best music. “Serf”, with a similar rating of 7.0 at “Kinopoisk”, became the most profitable Russian film in the history of Russian distribution, collecting for the first time more than 3 billion rubles and breaking the “Upward” record.

А Клим Шипенко дал ответ на этот вопрос
… and Klim Shipenko answered this question

The director said that in terms of perception of actors, Russian viewers are very different from Western ones: there is still a distrust in the quality of domestic cinema, so producers prefer to screen more popular characters in order to increase the chances of success. And Petrov in this sense is not the first: Sergey Bezrukov followed the same path after the role of Sasha Bely in the crime series “The Brigade”, Konstantin Khabensky after the role of Anton Gorodetsky in the fantasy “Night Watch” and Danil Kozlovsky after the role of hockey player Valery Kharlamov in sports drama “Legend number 17”. Petrov gained popularity in the second half of the 2010s after the series “Policeman from Rublevka”, where he played Grigory Izmailov, a police captain.

Один из предшественников Петрова Данила Козловский в фильме "Легенда №17" (в центре)
One of Petrov’s predecessors, Danila Kozlovsky, in the film “Legend No. 17” (center)

Shipenko also noted that even Russian stars of the first echelon are not success guarantors at the box office, in contrast with Western ones. And the director definitely knew what he was talking about: despite the impressive final fees of “Text”, the adaptation of the novel by Dmitry Glukhovsky had an almost failed first weekend. During the first week, the box office amounted to only 92 million rubles. This figure slightly exceeded the budget of the film and took 4th place at the end of the week. It lost to the “Joker” (Todd Philips), who had already been in the box office for a month. In the future, word of mouth saved the situation: firstly, positive reviews began to come about the quality of the film, and secondly, the scandal around the overly frank bed scene with Christina Asmus and Ivan Yankovsky played a big role. Many viewers went to the cinema to find out what was special about this scene.

По этому фото не скажешь, но именно сцена с участием этих двоих сделала "Текст" таким популярным в прокате
You can’t tell from the photo, but it was the scene with the participation of these two that made “Text” so popular at the box office

As a result, the director described a vicious circle: it is more difficult for unknown actors to get into potentially stellar roles, and the famous ones are becoming even more popular, so they bother the audience.

Salvatore Ferragamo will restore sculptures in Florence

The fashion house will donate more than 1 million euros

Reading time 3 minutes

Salvatore Ferragamo will contribute more than a million euros to the restoration of sculptures in Piazza della Signoria in Florence. Italian fashion house has already donated funds so that the masters can restore the Fountain of Neptune. Over the next three years, it is planned to restore both copies of the statue of David, one of them is located in the courtyard of the Palazzo Vecchio, and the second – in Piazzale Michelangelo. In addition, the equestrian monument of Cosimo I will be restored, as well as the statues Judith and the Head of Holofernes and Hercules and Cacus.

Fountain of Neptune
The Fountain of Neptune is a fountain in Florence, Italy, situated on the Piazza della Signoria
The Fountain of Neptune is a fountain in Florence, Italy, situated on the Piazza della Signoria

Bartolomeo Ammannati’s Neptune is made of Carrara marble and has the features of Cosimo I de Medici, it overlooks the representation of the two sea monsters Scylla and Charybdis (in Greek mythology, two immortal monsters that assaulted the hero Odysseus and his sailors in the wanderings described in Homer’s Odyssey) and is surrounded by satyrs and sea horses, the fountain was built for the marriage of François 1er de Medici who would in turn become Grand Duke of Tuscany and was the eldest son of Cosimo I.

The statue of David

Michelangelo’s David is one of the masterpieces of the Italian Renaissance. During that period, sculptors such as Donatello, Ghiberti and Verrocchio produced works inspired by the Bible where David was shown after having beheaded Goliath. However, Michelangelo chose to represent the moment before the combat. Young David is ready to strike the giant holding a stone in his right hand with a sling resting on his left shoulder.

There are three copies of Michelangelo’s David in the city. The original one can be found in the Accademia Gallery. The second copy is located in Piazza della Signoria just opposite to the Palazzo Vecchio. The third replica is in the middle of Piazzale Michelangelo.

Judith and Holofernes
A copy stands in Piazza della Signoria, in front of the Palazzo Vecchio
A copy stands in Piazza della Signoria, in front of the Palazzo Vecchio

Judith and Holofernes, completed around 1460 is a masterpiece by Donatello. Under the reign of King Nebuchadnezzar II, there lived in Samaria, present-day Israel, a beautiful widow named Judith. The king’s general, named Holofernes, besieged the city where Judith lived. The situation was critical. Judith dressed in her finest attire and took some liquor and delicacies. She went to see Holophernes. The latter, charmed by her beauty, invited her under his tent. Judith made him drink and, taking advantage of his drunkenness, cut his head. By doing that she terrified the soldiers and saved her city. This precise moment is represented there by the artist.

Hercules and Cacus
Statue of Hercules and Cacus in Piazza Della Signoria in Florence, Italy
Statue of Hercules and Cacus in Piazza Della Signoria in Florence, Italy

When the Medici family (late 14th and 15th centuries) returned from exile in 1530, they instructed Baccio Bandinelli to create the statue of Hercules defeating the giant Cacus. It illustrates the victory of the Medici House. Among the members of the royal family were several dukes, two French queens and four Catholic popes.

The greatest films of all times

The best black and white films for winter evenings

Reading time 6 minutes

During cold winter nights you can make mulled wine, dive into a blanket, and watch black and white movies. Those which characters of Sarah Jessica Parker and Chris Noth were watching in the second part of Sex in the City. true masterpieces keep thrilling and never get old. Their black-and-white aesthetics as well as acting still fascinate people. 

All About Eve (1950)

Director: Joseph L. Mankiewicz
Plot: the competition between a Broadway legend Margo Channing (Bette Davis) and her fan, an amateur actress Eve Harrington (Anne Baxter). The audience can also see Marilyn Monroe in a small episodic role. For Marilyn it is one of the first roles in her career. The movie won six Academy Awards, including Best Film from any Source award. Half a century later, an eccentric Spanish director Pedro Almodóvar creates an allusion of the story in his All About My Mother film.

A shot from Everything abot Eve
A Streetcar Named Desire (1951)

Director: Elia Kazan
It is an adaptation of Tennessee Williams‘s play of the same name which brings us to poor districts of New Orleans. An aging, but still beautiful Blanche DuBois (Vivien Leigh) and her sister’s husband Stanley Kowalski (Marlon Brando) face the contradictions. The film won a lot of awards, including Vivien’s Academy Award nomination for Best Actress which, according to the actress led her to madness.

Трамвай «Желание»
Vivien Leigh and Marlon Brando in A Streetcar Named Desire
Roman Holiday (1953)

Director: William Wyler
It is a light romantic comedy about a princess and an American journalist which touches more than one generation. The narrative is very simple, it tells the well-known story of love between a princess and a commoner. Audrey Hepburn won an Academy Award for Best Actress for her performance. It happened eight years prior her most recognizable role of Holly Golightly in Breakfast at Tiffany’s film.

Римские каникулы
Audrey Hepburn and  Gregory Peck in Roman Holiday
Some Like It Hot (1959)

Director: Billy Wilder
The film starring Marilyn Monroe, Tony Curtis, and Jack Lemmon which is often being called the best comedy in the movie history. The story of adventurers, hiding from gangsters, touring with the women’s orchestra, is known all over the world. The film won Academy Awards and a Golden Globe Award and became a leading film not only in the US, but also in USSR.

Мэрилин Монро
Marilyn Monroe as Sugar Kane
Psycho (1960)

Director: Alfred Hitchcock
Those, who love being titillated, can watch a psychological horror film by Hitchcock. The film is construed as one of the key movies of all times. The principles of showing the subconscious fear of the characters, used by the director, influenced all subsequent horror films.

Психо
Anthony Perkins as Norman Bates
Who’s Afraid of Virginia Woolf? (1966)

Director: Mike Nichols
Elizabeth Taylor confessed in her memoirs that the role of Martha was the best in her career because during the whole shooting process she was Acting. A family drama about a relationship between loving and hating each other spouses caused a resonance among viewers and critics. The film built on conflicts and cursing which realistically shows family relationships. The film won five American Academy Awards, including one for Best Actress.

A frame from Who’s Afraid of Virginia Woolf? 
Manhattan (1979)

Director: Woody Allen
One of the most popular Woody Allen’s film takes the viewer to his favorite city. Passions, doubts, and contradictions of the characters are imbued with the rhythm of Manhattan. Viewers, critics, and new Yorkers themselves agree that the director has created a cinematic anthem of the city.

Манхэттен
According to critics, Manhattan is the best Allen’s film